https://www.studiointernational.com/index.php/marina-strocchi-interview-indigenous-art-central-australia
Click on the heading above to read the article.
https://www.studiointernational.com/index.php/marina-strocchi-interview-indigenous-art-central-australia
Click on the heading above to read the article.
Click on heading and read what Artist Profile had to say about my latest series.
25 February, 2021 Talking about my time spent in New York and the development of the exhibition New York, New Work currently on at Araluen Arts Centre, Alice Springs. Finishes March 7, 2021.
Click on the heading and listen to me being interviewed by Nicole Lee for ABC Mornings in Alice Springs.
Opening on Saturday November 21, 2020 at 10.30am with a floor talk.
This work on paper was inspired by a visit to Kangaroo Valley in NSW. The towering escarpment is one of seven enclosed escarpments in the world. It is as if the gods have made their own dry stone wall. The light hits one side in the morning and the other side in the evening. Towering, majestic and breathtakingly beautiful.
The Escarpment KV V
2018
acylic on hand made Indian rag paper, framed
60 x 80 cm
ABC Alice Springs interview about the Family Connections presentation at The Residency 16 th July, 2020
June 23 - July 31, 2020
Artist talk Thursday July 16, 2020 at 6 pm
Linework V, 2020, Acrylic on hand made recycled paper on marine ply, 60 x 80 cm
Online
July 3 - July 17, 2020
Upper East Side by night, 2020, Acrylic on paper, 30.3 x 45.5 cm
I delivered some painting and drawing workshops in February, 2020. Many thanks to Tangentyere Artists and the 2019 Arts NT Fellowship.
Desert Aboriginal art centres adapt to the pandemic.
I delivered some painting workshops in March, 2020. Many thanks to Yarrenyty Arltere Artists and the 2019 Arts NT Fellowship.
“What we see in our country” Yarrenyty Arltere 20 years on….
Marina speaks to us from her studio in Alice Springs, sharing the work she created during her residency in Brooklyn, NY, in 2019, and sending a message to friends and family afar while the globe is in lockdown. Works will be available from Jan Murphy Gallery late May, 2020.
Marina talks about her entry into the 2020 Alice Prize, Blue Drawing II, exhibited at Araluen in Alice Springs.
This video was shot in April 2020 in Alice Springs.
Blue Drawing II
2018
Acrylic on linen
122 x 137 cm
“REDOT FINE ART GALLERY is honoured to present a very special online exhibition for the very talented Alice Springs based artist, Marina Strocchi. Draw the line is a collection of recent works by one of the galleries most important non-Indigenous artists. Strocchi studied art in Melbourne (1979-82) and spent time in the milieu of the ROAR studios in the early 1980s. She then had a two-year sojourn in Europe (mainly Paris), before returning to Melbourne to commence her social practice as an artist. She found herself in central Australia in January 1992. It was there that she began her first series of landscape paintings and returned to live at Haasts Bluff in August of that year. During the 1990s she worked closely with many of the Aboriginal artists who made central Australian desert art so well known in Australia and all over the world. Since 2015, her work has grown in ambition while subjects initially becoming more domestic and internally focused and she is now one of Australia’s brightest talents.”
Exhibition is running from the 7th January - 2nd March 2020
Terra Firma solo exhibition at Jan Murphy Gallery, Brisbane 2019
L-R: Anna Kanaris, Bec Bowman and Marina Strocchi
Marina Strocchi and Anna Kanaris spoke with radio presenter, Bec Bowman, on RTRFM’s Artbeat to discuss two exhibitions, Coastal and Desert Women: Cultural Expression, presented at Early Works gallery in South Fremantle.
The gallery presented a solo exhibition of paintings by Marina Strocchi with reference to coastal themes, paired with new paintings from Ninuku in the APY lands and Warlukurlangu in the western desert. Opening on International Women’s Day both exhibitions are an interpretation of the artists’ environment, and a celebration of women artists working in the desert.
During the interview, “Marina gives us the details behind her artistic journey and interactions with Indigenous art. They discuss the importance of supporting galleries through art centres, as a means to recognise Aboriginal artists properly. As art is culturally important, it is essential to ask questions about sourcing, and to get younger people involved, knowing the facts of history in order to produce goodwill” - Women Painters of the Desert, Artbeat.
Listen to the full interview here:
Show exhibited from 3rd June - 1st July, 2011
“Marina Strocchi is ultimately a storyteller, well crafted in her ability to take the viewer on a visual journey depicting a place in time or a memory of landscape.
“Raised in an Italian Australian family, living in the Northern Territory, and inspired by ancient cultures, Marinas work is a compelling and dynamic fusion of cultural diversity and influences.
“Marina began her art practice as a printmaker with a strong focus on the simplicity and strength of the line. From this beginning she evolved into a painter, incorporating texture and a desert palette.
“Deeply inspired by the Australian landscape and with an interest in art from indigenous cultures, a very distinct style emerged, for which she is renowned. Her works are both playfully whimsical and vigorous, evoking a rich breadth of experience with this country and its inhabitants.
“In contrast to the energy her line brings to the canvas, her use of colour and subject matter seduces the viewer to experience something of another sphere.
“Marina’s continuing love of the landscape and the impact of the surrounding artists in the area in which she lives, have been instrumental in Marina established the Ikuntji Art Centre at Haasts Bluff in 1992. Over the years she has enjoyed nurturing talent among students and budding artists in the central desert region of Australia.”